Mixed Media

Underpinnings

2021–2022

I constructed garment-like forms into existence. By manipulating the sewing machine’s tension, threads became glitches—evidence of “how not to sew.” Repeated stitching aged the surfaces as if they were second skins.

Amass Series

2012–2017

In the Amass series, I transformed throwaway cosmetic sponges into complex, seemingly living organisms. I intentionally worked low-tech in a highly specialized and technological world. By repurposing products taken for granted by most, I breathed new life into the mundane.

Surrogates

2010

The Surrogate Series was the first of three bodies of work that used paint-by-number kits as templates and sources of inspiration. It emerged from a DIY culture that valued personalizing products designed by others.

Wisp

2010

Using paint-by-number kits as templates, I enlarged and traced their outlines, then cut them from frosted Mylar. Layered in three dimensions, these delicate forms suggested lace, with only traces of the original imagery remaining.

Hiding Van Gogh

2006

Wooden circles were painted with acrylic, then coated with wax and resin. Each time the floor carpet was displayed, participants arranged the circles in a new formation. Each arrangement reflected the character and social dynamics of its location.